You can even apply effects to feedback being generated inside the buffer.įinally, you can control the amount of feedback in the buffer and overall grain volume, and adjust the mix between the grains and the original signal. Flexible effects routing allows you to affect just the grains, leaving the dry signal, well, dry. The last stop is the effects section, with spatial panning and two reversible effects slots with a host of different effect types, like reverb, delay, flanger, compressor and distortion. Of course, each model has its own set of appropriate controls for further mayhem, like how many grains are produced within a time frame, duration of the grains, and grain pitch. There are plenty of glitchy beat plugins out there, but having rhythmic as well as typical granular effects and a drone-style option makes Efx Fragments especially noteworthy. There are three grain modes, Classic, Texture (for drones), and Rhythmic, the last with a dedicated step sequencer for beat-like glitches. Next comes Grain Release, reflecting how the captured grains play back. You can also offset the playhead from the buffer record head, or free it from tempo entirely and control its position manually. You can affect how the playhead moves (forward, backward, or not at all), as well as how fast it moves. Think of the capture point as a playhead moving along the buffer stream. The stop is the Grain Capture section where you can specify how the plugin extracts grains from the buffer, which is constantly re-recording. Efx Fragments with the Advanced view open.
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